Pedro Pascal, widely recognized for his charismatic screen presence, offered fresh insight into his personality during a recent interview with Fandango to promote Celine Song’s latest film, Materialists. Seated with co-stars Dakota Johnson and Chris Evans, Pascal contributed humor, chemistry, and candid moments as the trio discussed their roles in the highly anticipated romantic comedy, directly referencing the idea of being a “pleaser” and protector—qualities drawing passionate attention from fans and touching on the core themes of the film.
A Glimpse Behind the Scenes of Materialists
During the conversation, Pascal, Johnson, and Evans were prompted to reveal their so-called “unicorn traits,” or unique qualities that might make them appealing as relationship partners. Chris Evans gave an earnest response by calling himself “very supportive,” while Dakota Johnson joked about being “selfish.” Pascal, holding the audience’s attention, admitted, “I’m a pleaser.” His honest, unembellished response created an immediate reaction, highlighting his blend of self-awareness and personable charm, all while reinforcing his connection to the Materialists’ focus on romance and vulnerability.
The interview, part of the broader promotional campaign for Materialists, offered viewers a taste of the dynamic chemistry at the heart of this film. The story revolves around Lucy, portrayed by Johnson, a matchmaker in Manhattan who must navigate her feelings between an old flame, a struggling actor played by Evans, and a new wealthy love interest played by Pascal. Director Celine Song, known for her acclaimed work on Past Lives, presents this story as an homage to classic 1980s romantic comedies such as Broadcast News and Terms of Endearment. This context places Pascal in a role reminiscent of Harrison Ford’s characters, balancing comedic timing and emotional depth.
Pascal’s Protective Nature Extends Beyond the Screen
While Pascal’s on-screen character draws inspiration from classic cinematic male leads, his off-screen actions reveal a sense of responsibility extending to advocacy and activism. Recently, Pascal was among a group of more than 100 artists—including notable figures like Ariana Grande, Dua Lipa, and Daniel Radcliffe—who signed an open letter created by The Trevor Project. This letter voiced strong opposition to a proposed plan that would cut $50 million in federal funding earmarked for LGBTQ+ youth suicide prevention efforts. By lending his voice to this cause, Pascal reinforces his reputation as both a “pleaser” and a “protector” in real life.
Stripping away this lifeline leaves LGBTQ+ youth with the message that their lives are not worth saving. We refuse to accept that message.
—The Trevor Project Open Letter
The letter, which boldly states, “We will not stay silent,” underlines the critical importance of preserving mental health resources for vulnerable young people. Pascal’s participation in this campaign reflects his willingness to use his status for social advocacy, drawing attention and support from his sizable legion of admirers and the broader public.
Anticipation Builds for Materialists’ Release
As anticipation grows for the premiere of Materialists on June 13, the recent Fandango interview serves to heighten public interest, both for the narrative itself and the off-screen camaraderie between the film’s stars. Pascal’s openness about his “pleaser” side, paired with his demonstrated commitment to social causes, further deepens his appeal to audiences seeking depth, relatability, and integrity in their on-screen heroes. Materialists, centered in Manhattan and inspired by the rich history of romantic comedies, is poised for a warm reception, buoyed by its cast’s dynamic and the steady spotlight on important cultural conversations.
With leading figures such as Celine Song, Dakota Johnson, Chris Evans, and the ever-influential Pascal, Materialists is set to deliver not only on romantic entertainment but also a powerful reminder of advocacy and compassion. Fans and new viewers alike are watching closely as the film approaches its theatrical debut.
