One of James Gunn’s most absurd-looking moments within the DC Universe actually carries a much darker significance, revealed through the series’ behind-the-scenes insights and story context. As co-CEO of DC Studios alongside Peter Safran, Gunn’s influence shapes not only the future of DC’s superhero projects but also the layered meanings behind his work, including what appears to be his goofiest sequence to date.
With a strong track record in superhero cinema, including the upcoming 2025 Superman film, Gunn’s oversight of the DC Universe timeline has generated excitement. This makes examining the peculiar yet meaningful scenes within his DC productions, such as a certain dance routine from Peacemaker, particularly significant.
Examining James Gunn’s Most Unusual DC Moment: Peacemaker’s Dance Opening
James Gunn’s contributions to the DC franchise have been marked by a mix of bizarre and creative moments. For example, The Suicide Squad featured quirky scenes like King Shark confronting colorful, aggressive aquatic creatures, and Superman displayed unconventional uses of Guy Gardner’s powers. Amidst this, the surreal dance number opening Peacemaker season 1 stands out as the most eccentric and comically bizarre sequence so far.
This dance, performed by the Peacemaker cast to Wigwam’s song “Do Ya Wanna Taste It,” combines oddly choreographed moves with the characters’ deadpan expressions, heightening its comedic effect. Gunn himself acknowledged the scene’s surreal nature in the first episode of Peacemaker: The Official Podcast, describing it as “utterly ridiculous.”

“It was something that I was so excited for people to see, I remember, before this episode premiered, because it was gonna take people by such surprise. And it did.”
—James Gunn, Co-CEO of DC Studios
Despite its apparent silliness, this musical sequence has become one of the show’s most recognizable and beloved moments. While it can be enjoyed purely as an entertaining and unusual spectacle, there are hints that the scene holds a more complex meaning beneath its lighthearted surface.
Uncovering the Hidden Depths Behind Peacemaker’s Dance Routine
The seemingly whimsical dance in Peacemaker conceals subtle details that viewers may notice on repeated watches. For example, brief gestures such as middle fingers raised mid-sequence add a layer of irreverence. Additionally, Peacemaker firing a gun right before the appearance of his father symbolically alludes to the fate of Auggie, a plot element from season 1, creating a deeper narrative connection.
More revealing is a behind-the-scenes comment from Jennifer Holland, who plays Emilia Harcourt. During Peacemaker: The Official Podcast, she recalls Gunn’s description of the scene in the script:
“I believe in the script you described it as something like ‘we were puppets being controlled like marionettes’ or something like that.”
—Jennifer Holland, Actress
This statement invites a richer interpretation of the dance as a metaphor for the characters’ lack of agency. Throughout Peacemaker’s first season, the main cast discovers that they have been unknowingly manipulated by larger forces. The aliens they are assigned to eliminate—known as the Butterflies—turn out not to be villains but rather protectors attempting to save Earth from the same climate catastrophe that destroyed their home planet.
Viewed through this lens, the surreal dance sequence symbolizes the characters’ roles as puppets controlled by external powers, compelled to perform actions they might not choose on their own. This adds a troubling, reflective dimension to an otherwise comedic scene, emphasizing themes of control and loss of free will.
How This Dance Continues a Signature Storytelling Technique of James Gunn
James Gunn is known for embedding meaningful insights within humorous and seemingly trivial moments in his projects. This technique is notably present in the Guardians of the Galaxy trilogy, where comedic scenes often reveal critical character details. For instance, Rocket’s reactions to being called an animal give clues about his traumatic past and feelings of rejection by the High Evolutionary.
Similarly, Superman includes comedic sequences where Krypto’s antics foreshadow his role in the film’s climax, blending humor with plot development. Such moments serve to balance tone, preventing the story from becoming overly grim, while also enriching the narrative with subtle details that reward attentive viewers.
Within Peacemaker, this approach is evident as the opening dance simultaneously entertains and symbolizes complex themes, encouraging repeat viewings to uncover hidden layers. With season 2 of Peacemaker approaching, fans anticipate whether this iconic and strange dance will be revisited or expanded upon with new significance.
James Gunn’s ability to infuse his most outlandish DC scenes with deeper story meanings strengthens his role as a creative overseer for the DC Universe. Recognizing these nuances enhances appreciation for the narrative craftsmanship behind moments that on the surface appear purely comedic or nonsensical.
