New Taken Movie Tops Netflix—But It’s Not Neeson’s Version

Taken in Plain Sight has become a leading title on Netflix, though it is not related to the famous Liam Neeson Taken movies. While Neeson starred in the original trilogy released between 2008 and 2015, which earned nearly $1 billion globally, the new film offers a distinct storyline and tone. This difference is key as viewers encounter a very different interpretation under the “Taken movie not Neeson” label.

Performance of Taken in Plain Sight on Streaming Platforms

During the week of October 13–19, Taken in Plain Sight secured the ninth spot on Netflix’s Global Top 10 movies, achieving 2.9 million views and totaling 4.5 million hours watched. It placed above titles such as The Maze Runner but ranked below a mix of well-known films and series including The Woman in Cabin 10, KPop Demon Hunters, Vacation, and Despicable Me 3. Notably, it was a Top 10 movie only in the United States, while also available for streaming on Hulu.

Plot and Production Details of the New Taken Movie

Taken in Plain Sight, released in 2024, is a Lifetime movie featuring a story that echoes the general theme of abduction but focuses on a mother’s relentless search rather than an action-packed rescue mission. After months of investigating, the mother becomes convinced she has identified her daughter’s kidnapper. With the police dismissing her suspicions, she takes independent action, setting off a sequence that reveals unexpected truths.

The film is directed by Cat Hostick and written by Ken Miyamoto. The cast includes Tennille Read as Abby, Allegra Fulton playing Dolores, Steven Yaffee as Douglas, and Sameer Jafar portraying Mitch. Additional cast members include Jim Codrington, KJ Romani, Samy Osman, and Birgitte Solem.

Reception and Viewer Opinions on Netflix

Despite its popularity in streaming numbers, Taken in Plain Sight has seen little critical attention, with no reviews on Rotten Tomatoes from professional critics. User submissions total around twenty and remain insufficient to produce an official audience score. Most viewer feedback points to negative aspects such as poor acting, weak editing, predictability, and low production values. The film appears to have failed to impress those who have reviewed it.

Nevertheless, the movie retains an appeal for certain audiences familiar with Lifetime’s style. Its straightforward and predictable approach may satisfy viewers seeking comfort-story elements rather than the intensity expected from the original Taken films. For those anticipating a high-stakes action thriller akin to the Liam Neeson movies, this production will likely fall short of expectations.