Bradley Cooper showed his support for deaf musicians during the U.S. premiere of El Canto de las Manos (Song of Hands) at David Geffen Hall in New York City on Thursday, November 7. The event, highlighting the connection between deafness and music, was presented by the New York Philharmonic in partnership with Rolex, with Cooper moderating a post-screening panel.
Celebrating Deaf Musicians and Their Artistry
The evening featured a discussion led by Bradley Cooper, joined by notable figures including Gustavo Dudamel, Music and Artistic Director of the Los Angeles Philharmonic and Walt and Lilly Disney Chair; María Valverde, the film’s director; DJ Kurs, Artistic Director of Deaf West Theatre; Melissa S. Draganac-Hawk, head of the Pennsylvania School for the Deaf; and Matías Tarnopolsky, president and CEO of the New York Philharmonic. Following the documentary screening, Gustavo Dudamel conducted a moving performance with student musicians and vocalists from The Juilliard School alongside actors from Deaf West Theatre, performing a segment from Beethoven’s Fidelio.
Documenting the Journey of Deaf Artists Through Music
Directed by María Valverde, El Canto de las Manos showcases the stories of three deaf musicians from Venezuela—Jennifer, Gabriel, and José—as they prepare to stage Fidelio in sign language for the very first time under Gustavo Dudamel’s direction. The film provides a glimpse into their personal struggles with isolation and discrimination, as well as the liberating and transformative role music plays in their lives.
“Music is not only the inspiration and driving force in the lives of these brilliant Deaf artists, but also their refuge and salvation,”
María has shared.
“This is a story of justice — of how art transcends the visible and transforms its protagonists into guides who illuminate a new way of experiencing music, one that comes from a deeper level of awareness; a declaration of freedom and dignity.”
María Valverde, Director
The Lasting Impact and Future of Inclusive Musical Expression
The premiere of Bradley Cooper Song of Hands at this landmark event brought attention to the crucial conversation about accessibility in the arts, highlighting how deaf performers can share their profound connection to music in unexpected and inspiring ways. With leaders from institutions like the New York Philharmonic, Deaf West Theatre, and educational organizations in attendance, this event signals growing recognition and support for artists with diverse abilities. Moving forward, projects like this are expected to foster greater inclusivity in classical music and the performing arts.
