The widely praised production of Arthur Miller’s All My Sons, starring Bryan Cranston, is approaching the end of its London engagement at Wyndham’s Theatre. The show will conclude on 7 March 2026, offering audiences one last chance to experience this powerful drama live before it closes.
Following its London run, the play will be broadcast in cinemas starting 16 April 2026 through the National Theatre Live initiative, enabling wider audiences to view the performance nationwide. This adaptation of the classic American play, directed by acclaimed Tony and Olivier Award-winner Ivo van Hove, has drawn considerable acclaim for its compelling portrayal of moral responsibility and the consequences of past decisions.
Staging a Revered American Drama with a Stellar Cast
All My Sons features Bryan Cranston as Joe Keller, a businessman confronted with the fallout of selling defective airplane parts during World War II that led to the deaths of 21 pilots. Marianne Jean-Baptiste plays Kate Keller, while Paapa Essiedu takes on the role of Chris Keller, creating a family dynamic charged with tension and moral inquiry.
The ensemble is rounded out by Tom Glynn-Carney as George Deever and Hayley Squires as Ann Deever. Other cast members include Aliyah Odoffin as Lydia Lubey, Richard Hansell as Dr Jim Bayliss, and Zach Wyatt portraying Frank Lubey. Their performances contribute to a nuanced representation of Miller’s exploration of guilt, accountability, and the American Dream.
The production’s visual and technical aspects are shaped by Jan Versweyveld’s scenic and lighting design, An D’Huys’s costume design, and Tom Gibbons’s sound design, with Julia Horan CDG responsible for casting. Dramaturgy is overseen by Ola Animashawun, while producers Wessex Grove, Gavin Kalin Productions, and Playful Productions support the staging.
Critical Recognition and Award-Winning Production Team
Since its opening last year, this adaptation of All My Sons has received widespread critical acclaim, securing multiple five-star reviews. The production’s success is further highlighted by Wessex Grove’s recent win for Producer of the Year at The Stage Awards 2026, reflecting the high standard of theatrical excellence achieved.
This staging marks director Ivo van Hove’s third foray into Arthur Miller’s works, following his celebrated productions of A View from the Bridge and The Crucible, both featuring renowned actors such as Mark Strong, Nicola Walker, Ben Whishaw, Sophie Okonedo, and Saoirse Ronan. Van Hove’s interpretation continues to bring Miller’s themes into contemporary focus with intense emotional and visual impact.
National Theatre Live and Upcoming Screenings
All My Sons will join the National Theatre Live lineup for cinema screenings from 16 April 2026. This initiative expands access to theatre productions beyond London’s stages. Alongside it, other notable shows set for broadcast in 2026 include Hamlet starring Hiran Abeysekera, The Audience featuring Helen Mirren, The Playboy of the Western World with Nicola Coughlan, and Les Liaisons Dangereuses starring Lesley Manville, Aidan Turner, and Monica Barbaro.
How to Experience All My Sons Before It Closes
The production currently playing at Wyndham’s Theatre remains available to ticket buyers until 7 March 2026. Theatre enthusiasts are encouraged to secure tickets to witness this intense drama live before its final performance. Additional plays such as The Playboy of the Western World and Les Liaisons Dangereuses are also running at the National Theatre in London during 2026, offering varied options for season-goers.
Wyndham’s Theatre continues to provide a prominent venue for powerful theatrical experiences, such as this resonant production of All My Sons, underscoring London’s status as a global hub for premier dramatic arts.
Looking Ahead: The Impact of Bryan Cranston All My Sons
The conclusion of Bryan Cranston All My Sons in London marks the end of an impactful chapter for contemporary theatre audiences. This production’s thought-provoking engagement with themes of ethics and responsibility during wartime resonates beyond its dramatic setting, inviting reflection on broader human concerns.
Its transfer to cinemas through National Theatre Live ensures that the play’s powerful messages will reach audiences across the country, preserving the relevance of Arthur Miller’s work and the strength of Cranston’s performance. As the curtain falls on the London run, anticipation builds for how this production will continue to shape public appreciation of modern theatre.
