Margot Robbie’s method dressing has become a defining feature of her promotional work, most recently evident during the press tour for Wuthering Heights. Following the success of Barbie and inspired by a strong connection between on-screen and off-screen personas, Robbie’s wardrobe choices intentionally echo the character’s essence, blending historical references with modern fashion statements. This approach was brought to life from January 2026 onward, as Robbie traveled internationally to promote the film directed by Emerald Fennell.
Embodying Catherine Earnshaw Through Fashion
For the Wuthering Heights adaptation, Margot Robbie partnered once again with stylist Andrew Mukamal to deliver a cohesive visual narrative that extends beyond the film’s screen presence. The costumes, designed by Jacqueline Durran, merged Victorian-era lace and corsets with a romantic but contemporary flair, despite initial criticism from fans concerned about historical inaccuracy. Instead, these modern touches align closely with Fennell’s vision of a heightened, passionate aesthetic, reinforced further by Suzie Davies’ set design.
Robbie’s outfits during the press tour captured the gothic and Victorian spirit of her character, Catherine Earnshaw, as she wore ensembles that resonated with the film’s themes from locations spanning Paris to Australia. Notably, the actress donned the Taj Mahal Diamond at the Los Angeles premiere—a gem previously owned by Elizabeth Taylor and gifted to her by Richard Burton—which tied a historical and emotional layer to the film’s presentation. Her first public appearance showcased a Roberto Cavalli look, complemented by a pendant choker and signature vertiginous Louboutin heels, whose recurring presence became a subtle thread throughout the tour.
A Symbolic and Detailed Wardrobe Selection
The palette of colors and styles Robbie wore captured the darker, more intense tones of the narrative. This ranged from a ruby python-pattern corset dress by Dilara Findikoglu, inspired by the novel’s line
I would rather be clasped by a serpent,
to a striking Schiaparelli dress worn in California, where a red hem transformed a black skirt into a dramatic statement. Further sophistication was seen in a John Galliano archival look featuring a redingote coat trimmed with raw pink wool, finished with thigh-high stockings, and in a Chanel dress by Matthieu Blazy exhibited at the Paris red carpet, evoking imagery reminiscent of Gone with the Wind, a reference included in the film’s promotional poster.
Reinterpreting Gothic Elegance for Modern Audiences
The collaboration between Robbie and Mukamal translated the film’s ethos into a gothic chic style, reaffirming a mood reflective of Emily Brontë’s novel. Unlike other promotional tactics, which sometimes rely on mimicking a character’s persona verbatim, Robbie’s method dressing communicates the story’s emotional depth and themes like obsession and passion subtly and powerfully through wardrobe choices and makeup. Observers have noted the intense chemistry in interviews between Robbie and co-star Jacob Elordi, highlighting obsession as a recurring motif carried visually in every appearance.
One standout ensemble at the London premiere featured a corseted Dilara Findikoglu dress adorned with a sheer silk chiffon veil, complemented by a bracelet composed of real hair. This piece paid homage to a mourning accessory dating back 175 years, once owned by Charlotte Brontë in remembrance of her sister Emily, directly connecting the press tour’s aesthetics to the legacy of the original text.
Fashion as an Extension of Narrative and Legacy
Throughout the tour, Robbie moved through a series of dramatic looks that balanced historical melancholy and contemporary haute couture, including a column dress by Thom Browne worn during a photocall in Paris and a moody Ashi Studio gown for the Sydney event. Each outfit was deliberately chosen to express the film’s atmosphere while maintaining a strong personal connection to the material. This method dressing approach continues to fuse film promotion with immersive storytelling, potentially hinting at a future where the press tour, like Barbie’s, could transform into a similarly themed book chronicling the fashion and emotional journey.
MARGOT ROBBIE HAS KICKED OFF THE WUTHERING HEIGHTS PRESS TOUR. pic.twitter.com/tnfYZMaJAl
— aidan, Twitter user
@oldloserinbrooklyn Every Margot Robbie look from the wuthering heights press tour #margotrobbie #wutheringheights #margiela #johngalliano
— Mandy Lee, social media content creator
MARGOT ROBBIE HAS KICKED OFF THE WUTHERING HEIGHTS PRESS TOUR. pic.twitter.com/tnfYZMaJAl
— aidan (@AlDANS_) January 26, 2026
