Kristen Stewart made a striking appearance in a sheer, lacy white dress at the SCAD Savannah Film Festival on Friday, October 31, drawing attention with her bold fashion choice that perfectly exemplified the Kristen Stewart naked dress trend. The 35-year-old actress attended the event while accepting the Rising Star Director award for her upcoming film, The Chronology of Water, which is set to premiere in December.
A Bold Red Carpet Look at SCAD Savannah
Stewart’s attire featured a predominantly transparent white lace dress that revealed a white bra paired with black lace panties beneath. She accessorized with black pumps and layered silver choker necklaces, completing the outfit with a messy updo hairstyle accented by fringe bangs. Her striking ensemble instantly captured the essence of daring, modern fashion at the festival.
Honoring Her Directorial Debut
At the annual film festival, Stewart was celebrated for her work as the director of The Chronology of Water, adapted from Lidia Yuknavitch’s 2011 memoir. The film delves into intense themes such as sexuality and personal trauma, marking Stewart’s emergence as a serious filmmaker beyond her acting career. During her acceptance speech, Stewart humorously reflected on the experience of being on stage with a blend of nervousness and excitement.
It is a very rare occurrence to feel better once you get on this stage,
Stewart joked during her speech.
She described the film as both serious and exuberant, reflecting its raw honesty and emotion. Stewart emphasized the importance of connection and shared experiences, stating how honored she felt to be recognized in a setting devoted to work close to her heart.
This movie [was] a confessional diaristic piece, and it is serious, but it’s also so exuberant to be able to let it all hang out. There’s not a place that I would prefer to be honored for the stuff that means everything to me, which is being together and reaching toward each other.
Praise for Her Film Crew and Creative Process
Stewart publicly acknowledged the dedication of her sound team, expressing affection and gratitude for their collaboration throughout the filmmaking process. Her lighthearted remarks reflected the close bonds formed during production.
I was so desirous of being able to watch this movie with a blindfold on, and I tortured these people,
she quipped.
I think they liked it, and we’re going to do it again and again and again. Thank you Amanda and Brent and Mike, I’m, like, in love with you — and you’re my family. That is what it takes to make a movie.
She framed filmmaking as a profound act of love, emphasizing the authenticity involved in sharing personal stories on screen.
It’s an act of love, period. We’re not selling anything here. We’re showing ourselves, and what an absolute blessing to be able to do that.
The Challenging Themes of The Chronology of Water
Adapting Yuknavitch’s memoir, Stewart’s film tackles difficult subjects including incest, trauma, and reclaiming one’s voice and body. She previously described the experience and content as intense but ultimately exciting to bring to audiences.
My movie is about incest and periods and a woman violently repossessing her voice and body, and it is, at times, hard to watch … but it’s gonna be a f***ing thrill ride,
Stewart told Porter magazine in May 2024, giving a glimpse into the movie’s bold narrative.
I think that’s commercial, but I don’t think that I have any gauge on what that means. I think people would want to see that, but then … I think maybe people wanna watch movies about, like, Jesus and dogs.
Choosing Latvia for a Unique Filmmaking Experience
Stewart filmed The Chronology of Water in Latvia, seeking creative distance from the American film industry and its expectations. She valued the opportunity to approach filmmaking without institutional pressures or the constraints of established norms, describing the environment as a “fledgling film culture.”
It’s a fledgling film culture there,
she told the outlet.
Look, I’m all about the way we make movies here [in the U.S.], but I needed a sort of radical detachment. I am not a director yet. I need to make a student film. I can’t do that here. [There’s a] thinking that we can check these little boxes, and then do away with the patriarchy, and how we’re all made of it.
Reflections on Growth as an Actor and Filmmaker
Stewart revealed her awareness of being early in her directing journey while acknowledging the challenges of shifting roles in the entertainment industry. She discussed balancing the urge to conform with a desire to pursue meaningful, goal-driven projects.
If we’re congratulating each other for broadening perspective, when we haven’t really done enough, then we stop broadening. As an actor, I’m called upon to serve other people’s visions,
Stewart said.
You get greedy. It feels good to be called upon … even if you don’t love the thing. I think it’s nice that, as I’ve gotten older, I would much prefer to tailor my experiences to result-oriented goals, versus, just, ‘This is gonna feel good for me right now.’
Kristen Stewart’s bold fashion statement at the festival and her passionate embrace of filmmaking reflect a restless creative energy, signaling a transformative phase in her career. With The Chronology of Water poised to challenge viewers and stir conversations, Stewart’s emergence as a director offers a glimpse into her evolving artistic identity and the promise of future projects unafraid to confront difficult subject matter.
